Psycho The Clown is official

As you know, the Twilight Ballrooms film has been a labour of love for me for the last 10 years and will continue to be so for many years to come as I’m only half way through. The reason it takes so long is because I am doing everything from writing, acting, directing, scoring, grading, compositing, 3d art, editing etc… this list goes on.

However there are one or two bits in the project which are not me. Buster Cristo’s car comes from a royalty free 3d object online repository. The sweet wrappers used in Mrs Kepelwicks shop (which I don’t think are in view anyway) came from a lovely fella called Jason Liebig (who collects sweet wrapper images on Flickr) and who gave me permission to use them. And this week I got kind permission from JP Pirie. Users of Snapchat may well have used his masks on their snapchat pics. It was one of his masks, Clown O Freaky, that I used (along with my face of course) to create the posters of Psycho The Clown. Not only did he give me his permission but even had a quick butchers at the website and was really encouraging with his comments. So, many many thanks JP Pirie!

Wits End Archive

This unique archive footage taken in 1979 shows the dilapidated state of Wits End. The footage was kindly donated to us by the Tour Guide of the closed Twilight Ballrooms.

Of course Wits End is fictitious. And any sharp eyed seaside fan would realise straight away that it’s Blackpool. And naturally it wasn’t filmed in 1979 but over 40 years later. Effects to degenerate it include saturation reduction, augmented green and red channels, white noise, dust and specks (created using fractal noise and random seed at 25p/s). And not to forget the fantastic Video Copilot Twitch plugin (the only plugin that WAS used mind) plus various other tweeks here and there. Weird, I used to dream of having a good HD camera 20 years ago and here I am with great footage degenerating it. Funny ol’ world.

Moving clouds tutorial

This is the first movie diary entry where I actually share a good tip in post production. And it’s an effect I use a lot in the Twilight Ballrooms movie. Parallax with a 2d photo. Making a static pic of clouds come to life with a good 3d optical illusion. And its simple. CC Slant.

I do mumble a bit when I don’t have a script so I hope this isn’t too dull an entry, but if you’re a PostProd nerd like me I think you’ll love it.

More exterior shots

The history and evolution of the Twilight Ballrooms concept. From a house shaped theatre perched on top of a crumbling cliff to its final incarnation, a crumbling variety hall on a pier in Wits End.

This video will show the real life venue that inspired it – a venue that sadly burnt down almost 100 years ago!

POSTSCRIPT: This week, the end of Colwyn Bay pier collapsed into the sea. Eerily similar to the story. Full story here

Four Men in a Pub – Twilight Movie Diary

Since becoming a dad, the Twilight Ballrooms project has ground to a halt. That’s parenthood, there’s just no time to engage in the work required. So to sate your appetite and in a rare entry for the Twilight Ballrooms’ Movie Diary these days, I’ve decided to release this rough clip of an experiment I did a while back with a genuine scene from the film. The acting is rough, the cuts are crude but it was fun to explore the green screen environment (the set is CGI by me). It also explored the feasibility of playing all the parts myself – if I can brush up on the accents that is! (which, if you hadn’t noticed are English, Irish and Scottish for the pub regulars and American for Buster Cristo) This would certainly help save money as I can’t afford to pay anyone being a zero budget project, nor do I wish to exploit anyone’s talent for zero pay.

Also on a practical note, it would be easier for reshots and dubs! When I did A Life Of Brian (my first half hour project) my friends all worked for free. It was their 30th birthday present to me. However I only had them for a few days and in the proceeding months, during the edit, I was frustrated when I found I needed a link line recording or a clip redoing. I remember having to edit a conversation together from two recordings I’d recorded in different places and revisiting the location with my partner to shoot more clips. All of course without the actors. So this project, given its virtual environment, I’m rapidly coming to the conclusion that life would be easier and more flexible if I just play all the parts myself. Well, not ALL the parts, but more on that anon!

Twilight Movie Diary – E05

Recently got into a new site called Pinterest. I found the app version and downloaded to me iPad. Now I’m hooked. It allows to pin most (more or less) pictures on the internet into a folder on Pinterest. So if, you’re doing some compositing on FOG (see below) you can collect a folder of other peoples images to inspire you. Just inspire mind, no stealing! And I was inspired, though it’s your decision whether I actually got a decent foggy composite, rather than just a bleached effect!